Two Christopher Nupen films about the music and the artistic intentions of Pyotr Ilyich Tchaikovsky, one of the greats and a composer with an immediate appeal for many millions of people.
The prime focus of both films is Tchaikovsky's lifelong preoccupation with the idea of fate as a controlling influence in our lives.
...constant delight and variety.
Peter Waymark, The Times
The women in the first film are both the women in his personal life (His mother, Alexandra, his governess Fanny Durbach and the Belgian singer Désirée Artôt) and the vulnerable young heroines in his early music ( Katerina Kabanova in The Storm, Juliet in Romeo and Juliet, Francesca in Francesca da Rimini, Odette in Swan Lake and Tatyana in Evgeny Onegin.
In the second film the focus shifts to Tchaikovsky's concern with his own fate in Manfred and the last three symphonies and his extraordinary relationship with Nadezhda von Meck as told in his revealing correspondence with her.
There are no actors in these films, the story is told entirely through Tchaikovsky's music, Tchaikovsky's words and those of some of his closest acquaintances.
Two Christopher Nupen films about the music and the artistic intentions of Pyotr Ilyich Tchaikovsky, one of the greats and a composer with an immediate appeal for many millions of people.
The prime focus of both films is Tchaikovsky's lifelong preoccupation with the idea of fate as a controlling influence in our lives.
...constant delight and variety.
Peter Waymark, The Times
The women in the first film are both the women in his personal life (His mother, Alexandra, his governess Fanny Durbach and the Belgian singer Désirée Artôt) and the vulnerable young heroines in his early music ( Katerina Kabanova in The Storm, Juliet in Romeo and Juliet, Francesca in Francesca da Rimini, Odette in Swan Lake and Tatyana in Evgeny Onegin.
In the second film the focus shifts to Tchaikovsky's concern with his own fate in Manfred and the last three symphonies and his extraordinary relationship with Nadezhda von Meck as told in his revealing correspondence with her.
There are no actors in these films, the story is told entirely through Tchaikovsky's music, Tchaikovsky's words and those of some of his closest acquaintances.
