Info
Duration: 60’ 43”
Narration by Christopher Nupen
Year of production: 1966
Contributors include:
Daniel Barenboim
Vladimir Ashkenazy
English Chamber Orchestra
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The film showed aspects of music and music-making that had not previously been seen on television. It also announced the arrival of a new generation of performing musicians that would become more famous or more quickly famous than any other generation in history. They had a new attitude and a new kind of confidence. This gave them a kind of exuberance which seemed made for television and, to some extent, it was just that. It was also the time of a breakthrough in 16mm film technology with the advent of the self-blimped 16mm camera and all these factors together brought these performers a bigger and more intimately informed audience than had ever before been possible.
In other words, it was television, as much as the performers themselves, that created the revolution in classical music performance during the next ten years.
This film was shot in three days early in March 1966 and edited in three weeks. It was the first of its kind and there have been so many successors in the past thirty years that it can truthfully be described as epoch-making. It is probably still the most influential single television music programme so far made in the field of classical music.
The whole film was full of firsts. It was the first time that Vladimir Ashkenazy and Daniel Barenboim appeared together in public; the first time that the English Chamber Orchestra promoted its own concert, the first time that Christopher Nupen (director) and David Findlay (lighting camera operator) worked together and it was Christopher Nupen’s first film.
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